MEET THE CHORALE
Conductor/Soprano I
Dr. Lesley Leighton
Dr. Lesley Leighton
Conductor/Soprano I
Lesley Leighton, noted conductor, singer and music educator, is the Artistic Director of the Los Robles Master Chorale (LRMC). Appointed to the post in 2008, she has earned high praise from music critics for her “ravishing” (Los Angeles Times) conducting that leaves audiences “mesmerized” (Orange County Register) and merits “enduring applause” (Asia Journal). About one particular performance, the Huffington Post proclaimed, “The Chorale’s Lesley Leighton stole (the) show.” Leighton has had a tremendous impact on LRMC during her tenure considerably expanding the chorale’s reach and versatility. Under her leadership, the organization has more than doubled in size and budget; now includes exceptional singers from Los Angeles, Ventura and Riverside counties; and broadened its repertoire to include choral music of all styles. In addition to curating and conducting the choir’s own concert series each season, she has prepared LRMC for appearances with the Los Angeles Philharmonic, New West Symphony and American Youth Symphony, among others.
Leighton embraces a broad range of music, from the Renaissance to the Romantic Era, and is particularly dedicated to twentieth and twenty-first century compositions. A passionate advocate for music education, she inaugurated Los Robles Master Chorale’s annual High School Choral Festival in 2009, launched its High School Choral Leadership Workshop in 2009 as well and established LRMC’s Young Artist Choral Composers Competition in 2010.
In addition to her work with Los Robles Master Chorale, Leighton has enjoyed a long and fruitful relationship with the world renowned Los Angeles Master Chorale, based at Walt Disney Concert Hall, for which she was named assistant conductor in 2010 and, a year later, was promoted to associate conductor, the first in the organization’s history, a post she held from 2011 to 2016. She regularly conducted the Los Angeles Master Chorale Chamber Singers and also created Los Angeles Master Chorale’s first Young Composer’s Competition in 2016, conducting the world premiere of the winning composition at the annual High School Choir Festival in April 2016 at Walt Disney Concert Hall.
Additionally, Leighton, a “seasoned musician” (USC News), has earned tremendous respect within the music industry for preparing choirs for Gustavo Dudamel, Esa- Pekka Salonen, John Adams, Rafael Frühbeck de Burgos, Bramwell Tovey, Leonard Slatkin, Michael Tilson Thomas, Boris Brott, Marcello Lehninger and Grant Gershon for performances at the Hollywood Bowl, Walt Disney Concert Hall, Royce Hall and Shrine Auditorium, among other major venues.
Leighton will be making her Los Angeles Opera and Los Angeles Philharmonic conducting debuts in the 2018-19 Season, conducting David Lang’s opera the loser, and his work for a 1000 voices, Crowd Out, respectively. She will also prepare Los Robles Master Chorale for Ojai Festival (Stravinsky’s Rake’s Progress), Los Angeles Philharmonic (Lang’s Crowd Out), New West Symphony (Prokofiev’s Alexander Nevsky), and San Bernardino Symphony (John Wineglass world premiere Voices of the West). Leighton’s other high profile conducting and educational posts include
serving as the interim director of choruses at the University of California, Los Angeles from 2014 to 2016; interim director of choral activities at La Sierra University during the 2013-14 academic year; and music director of New West Symphony Chorus from 2009 to 2011.
A principal solo artist for more than two decades, Leighton has performed as a soprano with many of the world’s eminent conductors, including Salonen, Dudamel, Tovey and Frühbeck de Burgos, Pierre Boulez, Zubin Mehta, the Lorin Maazel and Simon Rattle. Her opera credits include principal appearances with New York City Opera, Glimmerglass Opera, Köln Opera, Paris Opera and Glyndebourne. Her voice can also be heard on more than 85 major film soundtracks, including most recently, Alita: Battle Angel, Smallfoot, and Venom.
A native of Los Angeles, Leighton studied conducting with Paul Salamunovich at Loyola Marymount University, where she earned a B.A. in choral music. Following choral study at UCLA with Bill Hatcher, she obtained an M.M. in vocal performance with Judith Oas Natalucci and a D.M.A. in choral music from the University of Southern California, where she studied with Jo-Michael Scheibe.
Leighton was awarded the Order of Areté from USC, the highest honor accorded to graduate students upon completion of their academic programs; the Choral Department Award for Excellence from Thornton School of Music (twice); Remarkable Women Awards for outstanding achievement in a chosen field from the University of Southern California; the Raymond Moremen Award for Choral Excellence from the University of California, Los Angeles; and the Outstanding Achievement Choral Award from Loyola Marymount University.
Leighton is a member of Pi Kappa Lambda, the National Music Honor Society, Eta Chapter; American Choral Directors Association (ACDA); Chorus America; Southern California Vocal Association (SCVA); Screen Actors Guild (SAG); American Guild of Musical Artists (AGMA); American League of Symphony Orchestras (ALSO); The College Music Society (CMS); and the American Society of Composers, Authors and Publishers (ASCAP).
Alto I
Dr. Nike St. Clair
Dr. Nike St. Clair
Alto I
Education/Training:
Liszt Academy of Music, Budapest Hungary: BM and MM in Choral Conducting, Music Theory, Music Education; USC Thornton School of Music, Los Angeles: Masters of Music in Choral Music and Doctor of Musical Arts degree in Choral Conducting
Non-singing “day job”:
Teaches a Hungarian Kodály-based Musicianship program and direct choirs at Cal Poly Pomona and Azusa Pacific University (Musicianship only); conducts an adult church choir at the La Verne Church of the Brethren.
Other teach/gig/conduct/sing/perform experience:
Sings at the Saban Theatre for Jewish High Holidays; guest ensemble artist with Lark Society; guest soloist with LA Chamber Choir and in the wider Los Angeles area; session singer on film scores.
Guest appearances:
Bach St. John Passion, Magnificat, B Minor Mass, St. Matthew Passion, Handel Messiah, Israel in Egypt, Alexander’s Feast; Stravinsky Les Noces – LAMC; Mozart Requiem, Vespers, and Mass in C Minor, Bach B Minor Mass, Haydn Paukenmesse – Los Angeles Chamber Choir; Mendelssohn Midsummer Night’s Dream – LA Phil Hollywood Bowl Orchestra; St. Matthew Passion – Concordia University; Bruckner Te Deum – Santa Barbara Choral Society; Mahler 2nd Symphony with Young Artists Symphony Orchestra.
Recording/TV/Film:
Górecki Miserere; Nico Muhly’s A Good Understanding – LAMC; Verdi Messa da Requiem – LA Phil and LAMC under the baton of Gustavo Dudamel; Movie soundtrack highlights include Star Wars: The Last Jedi; Avatar; X Men: Wolverine, Days of Future Past, Akkaba; Godzilla; Tranformers 4&5; Smurfs 2; Wreck-It Ralph; Big Hero 6; Minions; Pixels; Hail, Ceasar!; Storks, Despicable Me 3; Jumanji 2; Smallfoot.
Career highlights:
Working with Peter Sellars on Lasso’s Lagrime and performing it.
Touring the world with the World Youth Choir; singing Bach motets under the direction of Maestro Frieder Bernius; singing for Helmuth Riling in Hungary and at USC; singing and touring with LAMC/LA Phil’s staged productions of John Adams’ El Niño and The Gospel According to the Other Mary.
Baritone/Bass
Abdiel Gonzalez
Abdiel Gonzalez
Baritone/Bass
Puerto Rican baritone Abdiel Gonzalez has been praised for his “rich, lush baritone” and for having a “superb voice, which commanded the stage.” He has been a concert soloist under the batons of Gustavo Dudamel, Esa-Pekka Salonen, and Grant Gershon, to name a few. He has traveled the world singing, most recently to Taiwan, singing the role of Gaston in Disney’s Beauty and the Beast, as well as being the baritone soloist in Beethoven’s Symphony No. 9 with the Boca Del Rio Orchestra in Veracruz, Mexico, for the inaugural concert of a new state-of-the-art performing arts center. He has performed 36 operatic and Zarzuela roles, and can be heard in over 30 films, including Coco, Frozen, Wreck-It Ralph and Star Wars: The Last Jedi. Upcoming engagements include singing the baritone solos in Beethoven’s Symphony No. 9 at California State University, Northridge, the baritone solos in Robert S. Cohen’s Alzheimer Stories at University of La Verne and the baritone solos in Orff’s Carmina Burana with the Santa Monica Symphony.
Tenor
Todd Strange
Todd Strange
Tenor
Lyric tenor, Todd Strange is a well rounded performing artist specializing in opera, solo concert work, musical theater, in addition to session singing and professional choral/ensemble work. Mr. Strange is currently a roster member of the Los Angeles Master Chorale, the Los Angeles Opera, and is a soloist in many regional opera companies and symphonies across the United States and abroad.
Professional highlights include both leading and supporting roles with The LA Philharmonic, Long Beach Opera, New York City Opera, Arizona Opera, Ohio Light Opera, Utah Festival Opera, Stockton Opera and San Diego Opera. Todd has been featured on various recordings with the LA Phil and LA Master Chorale, and can be heard performing several lead roles with Ohio Light Opera/ Albany Records.
Todd has sung on various popular film scores, including the blockbuster, “Sing!” as the operatic Camel. Todd had the privilege of working with John Williams for Star Wars: The Last Jedi. Other movies include Us, The Lion King, Smallfoot, Star Wars: Rogue One, Frozen, Minions, Bumblebee, and The Simpsons.
Soprano II
Elissa Johnston
Elissa Johnston
Soprano II
In the 2019–2020 season, soprano Elissa Johnston appeared as soloist with the Los Angeles Chamber Orchestra singing Handel and Scarlatti arias, with the Los Angeles Master Chorale in Bruckner’s Mass in F Minor, with Pacific Symphony in Handel’s Messiah, and in recital at Boston Court. Ms. Johnston was also very much looking forward to appearing with the Berkshire Choral International Festival in Poulenc’s Gloria, singing Strauss’s Lieder at Le Salon de Musiques, Schubert’s Der Hirt auf dem Felsen with legendary clarinetist Michele Zukovsky at Pacific Serenades, and Jaromir Weinberger’s The Way to Emmaus at Jacaranda Music. Last season, Ms. Johnston appeared as soloist in both the West Coast premiere of Reena Esmail’s This Love Between Us with the LA Master Chorale, and in the world premiere of Michael Daugherty’s To the New World with Pacific Symphony. Ms. Johnston made her Carnegie Hall debut in 2018 with the Pacific Symphony, singing the role of Sarada Devi in Philip Glass’s The Passion of Ramakrishna, as part of Carnegie’s yearlong celebration of Mr. Glass’s 80th birthday.
Alto II
Hannah Lewis
Hannah Lewis
Alto II
Hello! My name is Hannah Rose Lewis. I am a vocalist, multi-instrumentalist, songwriter, composer, arranger, and educator based in Los Angeles. I am a lifelong musician and am always in pursuit of new skills and new opportunities!
As the daughter of a character actor and a session cellist, I’ve been observing the ins and outs of the entertainment industry from an insider’s perspective from a young age. I trained classically in piano for 13 years and have sung in multiple choirs for about 8 years now, including most recently Los Robles Master Chorale, under the direction of Lesley Leighton. At age 18 I traveled to New York City with my school’s music program and performed at Carnegie Hall in Deke Sharon’s Total Vocal concert, then traveled to southern China to perform a 2-week, multi-city tour with the same program later the same year.
Once I got to college I became the musical director of Acasola, CSUN’s first a cappella group, and during my time as director we placed first in the Los Angeles A Cappella Festival scholastic competition. In the summer of 2018 I placed second in the Varsity Vocals Open southwest semifinal with my group COLLAB and subsequently won the wildcard round, launching us to the finals at Carnegie Hall that September. In that same summer, I became one of the founding members of From the Roots, a vocal band composed of members living in multiple different states. Since our beginning, we have headlined the Sing! Texas Festival, hosted the Los Angeles A Cappella Festival, and performed onstage at the National A Cappella Convention, giving vocal music-based masterclasses at each of these events in addition to performing. In the fall of 2018 I was brought on as a weekly clinician for Calabasas High School’s all-female a cappella group, Bare Rhythm. In addition to coaching the students, I arranged a large portion of their repertoire for the 2018-2019 school year. In the fall of 2019 I will return to that position as an official staff member of the district.
In the spring of 2019 I had the pleasure of participating in a performance of David Lang’s crowd out with Los Robles Master Chorale at Walt Disney Concert Hall, the 4th ever performance of the piece. Later the same spring I performed in Stravinsky’s The Rake’s Progress at the Ojai Festival, again with Los Robles Master Chorale. In May 2019 I graduated from California State University, Northridge with a BM in Commercial and Media Writing, with an emphasis in voice. In addition to my work as a singer, composer, and arranger, I teach piano and voice lessons to students of all ages.
This site includes my vocal demo reel, examples of a cappella arrangements I’ve done, and clips from short films I have scored, as well as links to my social media and my contact info.
Mezzo
Michele Hemmings
Michele Hemmings
Mezzo
Education/Training:
Artist Diploma, Curtis Institute of Music; B.S., Indiana University School of Music; Young Artist Programs at Florida Grand Opera, Chautauqua Opera and Steans Institute for Young Artists at the Ravinia Festival.
Non-singing “day job”:
Mom/Chauffeur
Other teach/gig/conduct/sing/perform experience:
Classical soloist performing roles in two mainstage productions at Los Angeles Opera as well as for their outreach program and performing chamber music around town. Teach private voice lessons and a studio session singer for film and television.
Guest appearances:
Soloist in Pergolesi Stabat Mater on the Third at First concert series. A Daughter in Philip Glass’ Akhnaten at Los Angeles Opera and a Revolutionary Woman/Dancing Girl in The Ghosts of Versailles. Also with LA Opera, Outreach concerts and Jonah and the Whale. Soloist with LAMC in Messiah Sing Along, Vaughan Williams Mass in G Minor, Bach B Minor Mass. Other appearances with the Pasadena Master Chorale, Orchestra Nova, St Timothy’s Summer Music Festival and The Claremont Chorale.
Recording/TV/Film:
John Corigliano, The Ghosts of Versailles, Los Angeles Opera. With Los Angeles Master Chorale: The National Anthems/The Little Match Girl Passion, David Lang; Miserere, Gorecki; A Good Understanding, Nico Muhly. Verdi Requiem, Los Angeles Philharmonic. Transcendence, Santa Fe Desert Chorale. Sweeney Todd performed live with the New York Philharmonic. I am also on multiple feature film soundtracks including three X Men Films, Avatar, Despicable Me 3, Minions, Tangled, Godzilla and Big Hero 6.
Career highlights:
Working with the incredible musicians in Los Angeles provides for so many musical highlights. Akhnaten with LAOpera was an extraordinary experience because of the gorgeous music and groundbreaking production. In addition to the stunning production, the recording we made at LA Opera of The Ghosts of Versailles won two Grammy Awards this year including Best Opera Recording. Grant Gershon and Gustavo Dudamel provide constant inspiration for me. My career until now has been lengthy and full of wonderful experiences around the country, but I feel LA is hard to beat these days!